Colab is in STUSSY WOMENS i n t e r n a t i o n a l stockists A P R I L 2010 //

WWW.STUSSY.COM
WWW.CASSETTEPLAYA.COM
WWW.ESTEVANORIOL.COM

For this presentation Cassette Playa worked with funding from LDA and the expertise of the digital department of LCF to write softwear for wearable augmented reality (AR). The models interaction with the program activated CP symbols on the models garments that generates CGI 3D animations. These were then viewed in real time by the audience in an amalgamation of real and virtual worlds.

Cassette Playa explores the boundaries between reality and fantasy. They ask us to consider Fashion as communication and also as an avatar i.e. projected visual representation of self.
Their work is inspired by sci fi dreams and is conditioned by the technologies that bring these dreams closer to an actuality.

AUGMENTED REALITY SOFTWARE DEVELOPMENT + 3D ANIMATION
FASHION DIGITAL STUDIO@LCF (PHILIP DELAMORE, DAVID SWEENEY, PETER HILL)

ART DIRECTION CARRI MUNDEN + THOMAS MANATON

SHOW MUSIC MILO CORDELL (THE BIG PINK / MEROK RECORDS) + PREETESH HIRJI feat ZOMBY , SEWN LEATHER + SALEM

STYLING JASON FARRER @DEFACTO

INTRO VISUALS ENO WEIRDCORE

HAIR CHARLIE LE MINDU

MAKE UP ADAM@ ILLAMASQUA

MODELS JAY READ, RYAN@PREMIER, HOLLI S @DI MODELS

SHOES NIKE SPORTSWEAR + ALPINESTARS

PRESS / FRONT OF HOUSE MELANIE ASHLEY

SHOW PRODUCTION MELODY DOWNING

FILMING GRACE LADOJA

SPECIAL THANKS TO LDA / KNOWLEDGE CONNECT PROGRAMME / MANDI LENNARD ML PR / CRAIG, ANNOUSHKA + HARLEY A NUMBER OF NAMES / RUSS CROOKED TONGUES / DAVID ELSBC / KERRY SHAW NIKE / CHRIS BLOMN / GREG MUNDEN

THANKS + LOVE TO CP FAMILY = LIAM HODGES, ALEX MATTERSON, JOSH FINDER, ASHLEY, ANNIE, CARLY, SAREENA, ELENA, DYLAN + ABIEED

LIL WAYNE

CIARA

WILEY (photographed by http://www.ronalddick.com/ )

YULIA

DIPLO

LILY ALLEN

GARY CARD

(DURING THE YULE FESTIVAL)” It was ancient custom that when sacrifice was to be made, all farmers were to come to the heathen temple and bring along with them the food they needed while the feast lasted. At this feast all were to take part of the drinking of ale. Also all kinds of livestock were killed in connection with it, horses also; and all the blood from them was called hlaut [ sacrificial blood ], and hlautbolli, the vessel holding the blood; and hlautteinar, the sacrificial twigs [ aspergills ]. These were fashioned like sprinklers, and with them were to be smeared all over with blood the pedestals of the idols and also the walls of the temple within and without; and likewise the men present were to be sprinkled with blood. But the meat of the animals was to be boiled and served as food at the banquet. Fires were to be lighted in the middle of the temple floor, and kettles hung over them. The sacrificial beaker was to be borne around the fire, and he who made the feast and was chieftain, was to bless the beaker as well as all the sacrificial meat.

The narrative continues that toasts were to be drunk. The first toast was to be drunk TO ODIN “for victory and power ”

LET THE FEAST BEGIN !